Tuesday, July 20, 2010
One to one art tuition.
For me that is very rewarding.
During the time in my studio, I demonstrate materials and various techniques, I set a subject for the day and oversee how the student progresses with this. At the end I offer advice and a crit. as to how the work can be taken forward. I then suggest various pieces of work to be completed before the next session. These will be commented on at the beginning of that session. As I repeatedly tell my students, it really is about practice, practice and more practice!
Friday, May 14, 2010
Portrait demonstration
Over the years, numerous memorable things have happened. There was the time when the model, an elderly gentleman, instantly fell asleep and snoring loudly . No matter how much I cajoled or prodded, could I keep him in a state of consciousness. I cracked all my best jokes and anecdotes but the audience sat in stony silence and all that could be heard was the sound of sweety wrappers being unfurled. It was a "beam me up Scotty" night. I did struggle on manfully and produced a fairly decent portrait by the end of the evening. The group applauded loudly and said it had been extremely enjoyable and informative. Would I come back again? I smiled sweetly, grabbed my cheque and fled , vowing never to return within a 60 mile radius of the place! On another occasion, I was demonstrating to a group of over 80 people. Being such a large audience they decided to wire me up for sound. A very odd experience. Even odder when I forgot my "electronic" state and went off to the toilet and shared it with everybody.
This last Monday, I gave a demonstration to Hartest art group in Suffolk. I am delighted to say that none of the above horrors occurred. It was my third visit and so it was rather like meeting up with old friends. The banter was good with artist and audience winding each other up.
The artist at work.
I spent just under two hours on this oil portrait of Sue. I began by explaining about materials I would be using as well as techniques, proportions, tone, and colour mixing. With a large hog's hair brush and turpentine I roughly drew in the outline of the head and fixed the position of the various features. Then it was time to block in the main flesh tones, mid -tones, and shadows before concentrating on the finer details of the eyes etc. Working in this alla prima way there is only a certain amount one can do on the day, all of which was explained to and discussed with the audience. Below, is the painting at the end of the session.
Friday, September 11, 2009
An artist’s journal from John Glover
Now it is time to concentrate on various portrait painting commissions. I have commisions to paint four children. A six year old in oils and three others , ranging in age from four to ten, in charcoal.
I also have a large double portrait in oils of the Sheriff of Huntingdon and her husband to complete.
Teaching continues also. I teach three classes a week at the Lothbury centre near Newmarket. Portrait painting, oils and acrylics, and of course my own paintings for pleasure. I also run day schools on portraits or life drawing and painting, at Grantchester and Barrow. These are held on a Saturday or Sunday and last from 10-4
Something else which is proving popular is one to one tuition whereby I ask any student to bring along samples of their work for review. We then work on a project together and I set ‘homework’ for the following session.
Bookings for me to demonstrate to art groups continue to come in for next year. The latest are for a landscape demo to the Comberton art group and a watercolour portrait demo to the Bury Art Society.
Next September, 3-10 th, I will be teaching during the Art Holiday for Inspiration Holidays in Menorca.
If you are interested in any of the above art holidays, art classes, painting workshops or art demonstrations please contact me on 01284 810 460 or e-mail me at john@gloverart.co.uk