Life Drawing at West Norfolk Arts Centre.

Last weekend , I taught a life drawing course at West Norfolk Arts Centre. It was my first visit there and I am pleased to say it was a great success.
Situated in the heart of Castle Rising, a delightful conservation village bordering the Sandringham estate, the centre is in an ideal spot for painting landscapes. Close by are nature reserves and the North Norfolk coast, as well as a multitude of architectural gems.

During the two day course, however, we understandably stayed indoors. Subjects I covered were anatomy, proportion, tone, and perspective as well as explaining and demonstrating various techniques and the different materials that can be used.




It was a very full day, starting with rapid sketches and moving on to numerous exercises to challenge the students' normal way of working. Finally, on to longer and more detailed studies.



Richard and Ros Cartwright ,our hosts, made everyone welcome and provided a superb lunch and endless refreshments. It was a most enjoyable experience for all and one which will hopefully be repeated in the future.

I will also be teaching the following courses there later in the year. "The Art of painting in Gouache" 23rd/24th July and "Portrait Painting Made Easy" 28th-30th October.

For details of these and all other courses, telephone Richard or Ros on 01553 631 689

Forthcoming Portrait and Life workshops

Over the next few months I will be running the following workshops in Barrow near Bury St. Edmunds.

Saturday, 9th October Portrait Workshop
Sunday, 7th November Life Drawing and Painting Workshop
Sunday, 5th December Portrait Workshop

All workshops will run from 10am-4pm


The charge for each of these workshops will be £35 or £30 per session if two or more are booked. This includes model fees , tea , coffee, biscuits. Bring your own packed lunch.

It is an ideal opportunity to meet and work alongside different artists and to experience the benefits of having a more extended period of time in which to develop your drawing or painting.

Anyone wishing more information on any of these day schools should either e-mail me or call on 01284 810 460

An artist’s journal from John Glover

Now it is time to concentrate on various portrait painting commissions. I have commisions to paint four children. A six year old in oils and three others , ranging in age from four to ten, in charcoal.

I also have a large double portrait in oils of the Sheriff of Huntingdon and her husband to complete.

Teaching continues also. I teach three classes a week at the Lothbury centre near Newmarket. Portrait painting, oils and acrylics, and of course my own paintings for pleasure. I also run day schools on portraits or life drawing and painting, at Grantchester and Barrow. These are held on a Saturday or Sunday and last from 10-4

Something else which is proving popular is one to one tuition whereby I ask any student to bring along samples of their work for review. We then work on a project together and I set ‘homework’ for the following session.

Bookings for me to demonstrate to art groups continue to come in for next year. The latest are for a landscape demo to the Comberton art group and a watercolour portrait demo to the Bury Art Society.

Next September, 3-10 th, I will be teaching during the Art Holiday for Inspiration Holidays in Menorca.

If you are interested in any of the above art holidays, art classes, painting workshops or art demonstrations please contact me on 01284 810 460 or e-mail me at john@gloverart.co.uk

Pastel portraits

When I consider pastels, the words that leap to mind are, freshness, delicacy and spontaneity. It is the closest one can get to drawing and painting at the same time. They don’t require drying time , they don’t “sink” and the colours do not fade.( assuming you treat them carefully)
They have a relatively short history, being popularised in the 18th Century by artists like Quentin de la Tour, Perroneau and Chardin. In the nineteenth, Manet, Degas and Mary Cassatt were the leading proponents.
In this blog, I will demonstrate how I develop a pastel portrait and also show you a few other samples of my pastel work.

I work on tinted paper, the colour usually determined by the complexion, and character of the sitter. I initially block in with willow charcoal, trying to establish the likeness.
When fairly happy with that, I begin to apply colour.

I usually start with hard pastels, working boldly. It can be a little daunting, (particularly for the sitter), when this patchwork of bright colours appear. But I am thinking ahead, planning what I will overlay to modify them.

Here, I use a variety of techniques. I cross hatch, allowing the original colour to show through. At other times I apply solid pigment and blend with either my fingers, a torchon or soft cloth. As you will see I am now introducing a background, earring and jumper.

The process continues as I modify and adjust the colours and tighten up on the accuracy of my drawing.

” Mrs. Pat Motherwell”
In this final stage, I added stronger highlights and reflected lights on the nose, a bit more detail in the hair, and more modelling on the chin and neck. All that remains is to finish the jumper and necklace.
The following are pastel demonstrations or sketches I have done, usually in about an hour.

“The Commander"

“Young girl”

Pastels are also lovely to use for life drawing

“Peter”
Or, as I demonstrated in an earlier blog, for landscape also.

” Kirkcudbright Harbour”. A pastel drawing of Kirkcudbright Harbour. I did this as a short demonstration in the pastel medium for the group who came on one of our Painting Holidays in the town.
Tips. I use a combination of both hard and soft pastels. The general principal is that the soft are applied over the hard. Any areas, like the eyes where I need a fair amount of precision, I will use only hard pastels, pastel pencils, or conte chalks.