Portrait Exhibition at Gallery Highwaymans

From the 6th - 28th July , I will be taking part in an exhibition of portraits at the Gallery Highwaymans at Risby near Bury St. Edmunds.The exhibition is a celebration of the work of Mary Beale, a 17th century artist from Barrow, the village where I now live.
On show will be her self portrait from the St. Edmundsbury  Collection prior to its inclusion in the Sainsbury Centre for Visual Arts, Masterpieces:" Art and East Anglia".

Alongside her work will be portraits by contemporary East Anglian artists. It promises to be a fascinating exhibition from the traditional to the avant - garde. Well worth a visit.

Facing Hard Times International Open Exhibition

I have just had a portrait accepted for the "Facing Hard Times" International Open Exhibition in King's Lynn.
"The broad concept of the exhibition is the impact of recent global economic crises on all our lives".

A portrait from my "Homeless" series seemed appropriate.





The exhibition will be held at Greyfriars Art Space, 43 St. James St. , King's Lynn, Norfolk and will run from 1st -15th October

One man show in Bury St.Edmunds

As stated in my previous blog, my one man show is up and running. It is at the Edmund Gallery in Bury St. Edmunds and runs till Thursday.

I have a variety of work on display, both portraits and landscapes in all mediums from oils to acrylics , gouache to charcoal, pencil , watercolour and pastel.

One Man Exhibition in Bury St. Edmunds

This last few weeks has been frantic as the date of my one man exhibition rapidly approached. The usual panic. Have I got enough paintings? Will they be framed on time? How many have I still to finish? How will I hang it? Which paintings will sit comfortably with/ counterbalance others. Practicalities re. the actual hanging system in the gallery. The logistics of transporting over sixty paintings , some of which are very large. But as usual it all works out in the end and the exhibition is now hanging. More to follow.

The Pastel Society Annual Exhibition

I am delighted to say that I have had a landscape of Walberswick accepted for the Pastel Society Exhibition.




It is a monochromatic charcoal and conte drawing done on MDF primed with acrylic gesso

The exhibition will be held at the Mall Galleries in London and runs from Wednesday, the 20th April till Sunday, 1st May.

The artist as author

I have recently had an article published in Flack magazine. In this I explain my reasons for wanting to produce an exhibition of portraits of those who are either homeless or have experienced homelessness.

To read both my article and the whole of Flack magazine go to

http://www.issuu.com/flackmagazine/docs/flack5

Homelessness

Following on from the success of my drawing of "TonyHargreaves" which was voted " the most popular painting" at the Cambridge Drawing Society's Annual exhibition in the Spring, I am now working on an exciting and related project. The chalk drawing I did of Tony clearly touched many people who saw it.



My aim now is to produce a body of drawings and paintings of people who, like Tony, are either homeless or have experienced homelessness and to eventually stage an exhibition of this work . So far, I have visited and sketched in two centres in Cambridge-- Willow Walk and 451 ( Newmarket Road) . I have also written a short article for Flack magazine which is based in Cambridge and is aimed at the homeless, assisting and encouraging them to rebuild their lives. Kirsten Lavers, the Creative Director of the magazine, has been instrumental in introducing me to the centres.

Below are a few of the drawings I have done so far.








Sketching at 451. Michael, one of the residents was the model.


The finished drawing of "Michael" was done in charcoal,chalk and conte on a linen ground prepared with pastel primer.

Strethall Church Art Fair

This weekend I took part in an exhibition held in Strethall Church, near Saffron Walden in Cambridgeshire. The setting is idyllic with the church nestling in a small wood amidst rolling cornfields.


It is believed that it was originally built in 1010 by the local Lord of the Manor to appease the marauding Danes who had been forcibly converting the locals to Christianity.

The weekend, however, was a far cry from such bloodthirsty times. A marquee was placed midst the tombstones. All around there were people sitting sipping tea and munching on cake, chatting, gossiping, putting the world to rights . Children played , dogs frolicked, the Autumn leaves rustled in the trees. All was well in this part of rural England.
Inside the church the exhibition consisted of paintings, drawings, pottery, sculpture and examples of wood turning. All of this was the subject of much "learned" discussion both from the experts and those for whom a little knowledge is clearly a dangerous thing!



Outside in the graveyard, on the reverse of one stone, I came across the following amusing quotation



Ended up feeling sorry for the poor old jellyfish. Funny what people want to be remembered by.

Suffolk Showcase 2010

I have just had a work accepted for an exhibition entitled Suffolk Showcase. This features a wide range of traditional and new media. , from painting to ceramics, video and digital photography. My own particular work is a chalk drawing in black and white.



This is a study I did of "Tony" one of Cambridge's less fortunate residents.

Below is a much larger drawing I did of him. This was voted "Most popular " work by the public in the Annual Exhibition of the Cambridge Drawing Society in April. It is also to be used as the poster to advertise the Society's Autumn Exhibition at the Leys School in Cambridge.


The exhibition is being held in the Bury St. Edmunds Art Gallery, Suffolk , and will run until the 28th August

Painting stolen from exhibition

At the Guildhall Exhibition in Cambridge ( see earlier blog) there was a painting stolen. It was a small work measuring only 12" x 9" and could easily have been concealed under a coat or in a bag. The usual security measures were in place with invigilators at the desk and even cctv cameras around. But with 280 paintings on show displayed both on walls and on array of screens, it was impossible to see every part of the gallery. The thief has never been tracked down or the painting recovered.
I would welcome any comments from other societies or artists who may have encountered this problem and any suggestions as to how best counteract it.

Cambridge Drawing Society Exhibition

Last week , the Spring Exhibition of the Cambridge Drawing Society took place at the Guildhall in Cambridge. On show were over 280 works. These covered a huge range of styles and techniques, from oils, watercolours and pastels to drawings prints and sculpture.
To stage such an exhibition requires a huge amount of organization and planning, but it does all eventually come together and hopefully appears effortless. The exhibition has , despite the economic recession , been a great success. Sales have been excellent and the public has been very enthusiastic as judged by the large number of visitors and general feedback.
This year 30 candidates applied for membership. Of these, 11 were accepted.



The Selection Committee at work.

As in previous years, the public was asked to vote for their favourite painting. I am delighted to say that my drawing of a "Down and out in Cambridge " won the prize.


This was a very large chalk drawing, measuring 36" x 24", done in monochrome. I chose to do this in order to convey the starkness of the subject. I have to say that the response and feedback has been amazing. Clearly many people were touched by this drawing. In a city like Cambridge which is fairly wealthy, there are still many who are less fortunate. This is a subject I wish to explore further.



Viewing selected works prior to hanging

Anyone wishing further information on the Cambridge Drawing Society or its members should visit the Society website at www.cambridgedrawingsociety.org

An artist’s journal from John Glover

Now it is time to concentrate on various portrait painting commissions. I have commisions to paint four children. A six year old in oils and three others , ranging in age from four to ten, in charcoal.

I also have a large double portrait in oils of the Sheriff of Huntingdon and her husband to complete.

Teaching continues also. I teach three classes a week at the Lothbury centre near Newmarket. Portrait painting, oils and acrylics, and of course my own paintings for pleasure. I also run day schools on portraits or life drawing and painting, at Grantchester and Barrow. These are held on a Saturday or Sunday and last from 10-4

Something else which is proving popular is one to one tuition whereby I ask any student to bring along samples of their work for review. We then work on a project together and I set ‘homework’ for the following session.

Bookings for me to demonstrate to art groups continue to come in for next year. The latest are for a landscape demo to the Comberton art group and a watercolour portrait demo to the Bury Art Society.

Next September, 3-10 th, I will be teaching during the Art Holiday for Inspiration Holidays in Menorca.

If you are interested in any of the above art holidays, art classes, painting workshops or art demonstrations please contact me on 01284 810 460 or e-mail me at john@gloverart.co.uk

Cambridge Drawing Society Exhibition

This last week, I have been wearing one of my other hats, namely that of Treasurer of the Cambridge Drawing Society.
Throughout the country, the Exhibition season is underway with artists rushing to finish and deliver paintings, and organizers trying to cope with all that involves.
Tuesday was the handing in day for the Cambridge Drawing Society. Wearing my “official” badge, and sitting behind the desk, I was able to observe the scene from a very different perspective. Amidst the sea of wrapping paper and bubble wrap, there were those who nervously handed over their works and fled as quickly as possible. There were those who saw it as a social occasion and wanted to chat with friends and officials, blissfully unawares of the queues building up behind. There were those who had followed all the instructions, filled in correctly the forms and labels, and there were those who had done none of it. There was the sound of snipping scissors and shouts for string and pens all adding to the general atmosphere and tension of “Sending in Day.”
Wednesday was the Selection Day, crunch time for all. It is the second year I have in my official capacity been witness to the procedure where all the paintings are brought before the Selection Committee for their decision. It is wholly democratic, with one man one vote, and everyone, whether they be President, Treasurer or Candidate must abide by the judgement, no matter how wrong or unjust we think it might be . Not for the faint hearted the inevitable rejection artists have to endure!

The Selection Committee at work.
Following over 3 hours of judging , the selected works are laid out ready for hanging. It is a time to see everything that has been accepted and to begin to get the feel of how the exhibition will look.

Time also for a brief lunch break!

In the afternoon, screens are erected and the process of hanging begins. This is an art in itself, balancing subject matter , colours and trying to ensure that every painting is seen to its best advantage, an almost impossible task with over 300 works on display. And there are , of course, good spots and bad spots within any exhibition area, so somebody is bound to be upset by where their work is hung!
The Private View looms. Activity becomes even more frantic as labels and catalogues are organized and food and wine “magically” appear.
The Private View took place yesterday evening and was very well attended.

Tania Verdejo, Andy Mc Kenzie and Karen Stamper.

Gavin Clark

Rachel Haynes and her pastel paintings.

Lynne Woodhams, a newly elected member.

Mrs. Gavin Clark.
Founded in 1882, the Cambridge Drawing Society is one of the oldest art societies in the country. Former members have included Cecil Beaton, Ronald Searle and Gwen Raverat. Despite its name, the Society encompasses all forms of artwork, from oils to acrylics, watercolour,gouache, pastel, linocut, etching , wood engraving and sculpture.
In this exhibition, I am showing two works.
The first is an oil portrait of Tony Langford, Managing Director of John Smedley Ltd. ( 2003-2009.)

The second, is a charcoal sketch of “Granny Mc Leod” a 94 year old Scottish lady of great character.

The Cambridge Drawing Society Annual Exhibition at the Guildhall runs from 25th April -2nd May and is open daily 10- 5.30