Cambridge Drawing Society Annual Exhibition

Last week the Annual Exhibition of the Cambridge Drawing Society was held in the Guildhall, Cambridge. Over 280 works were on display. 26 candidates applied for membership, of whom 11 were accepted.
After the initial hand in day, the work really begins.
The selection procedure is first with nine members sitting on the committee, including myself as President. It is a totally democratic and ,of course,highly subjective  process. A different panel would come up with a totally different set of choices.

 
Selected work is laid out.

Later, screens are erected ready for the following day when everything is hung.
It can be somewhat daunting when faced with 280 works and an array of blank screens. Will we have enough, will we have too many? How to best balance them all colour wise , subject wise. It's rather like trying to do a large jig saw puzzle without the picture.

But I had a marvelous team  and the whole exhibition was hanging by lunchtime.

But then comes the fine tuning. Straightening pictures, labelling, cataloguing and , of course, preparing for the Private View.

The Private View was a great success with over 150 in attendance including the Mayor and Mayoress of Cambridge. A large number of paintings were sold and unfortunately , one was stolen. However, the police recovered it quickly after a tip off from a member of the public that a drunken man was lying on the ground at the bus station clutching a work of art. For the second year in a row we hit the headlines in the local press. Last year, a picture of a fish was stolen. This year, it was an owl. Perhaps a pattern is emerging?

The exhibition contained a huge range of styles, subject matter and mediums, from oils to acrylics, watercolours,etchings, wood engravings, mono prints and sculpture. Below, are just a few.

        Karen Stamper     Essaouria 1         Collage

      Stephen Roberts       " Dog Walkers, Grantchester"  oils

       Suzanne Parsonson   "Catching Up"   Graphite and Fabric

        Mohammed Djazmi      " Fallen"    Pencil


It was a great success as an exhibition with over 300 visitors per day, 89 works sold and sales of over £13,000.

The Cambridge Drawing Society's next exhibition will be at St. Faith's School in Cambridge from October 27th - November 3rd

A child's portrait in pastel

Pastel is a lovely medium in which to depict children. It has a delicacy and softness unrivalled by other mediums.
In this example I worked on a tinted Murano mount board using a combination of pastel pencils, hard and soft pastels. My initial drawing is done in a sanguine conte chalk.




Using Stabilo pastel pencils I begin putting in the details of the eyes.




And the mouth.




Fairly happy that these are in the right place, I can now turn my attention to larger areas of the face. I begin with pastel pencils and conte crayons but quckly turn to soft pastels to get the delicate blending I require. I use fingers, torchons or even cotton buds to do this.




The finished portrait of Annabel

Success at the Cambridge Drawing Society Exhibition

Last week, the Cambridge Drawing Society held its Autumn exhibition at St. Faith's School in Cambridge. It was a large display, with over 200 paintings on show. There was a huge diversity of techniques and subject matter. They ranged from watercolours to pastels , oils, acrylics, etchings and sculpture. There was something for all tastes whether it be landscape, portrait, life, or abstract.

The public were asked to vote for their favourite work and I am delighted to say that two of my paintings were in the top three.

" Paul" came first.






"Michael" was second equal.

A charcoal and conte drawing of Paul

I continue to work on a series of drawings and paintings of people who are either homeless or have experienced homelessness.

Below are a series of images showing the development of a drawing of Paul.










This drawing, along with one of "Michael" in the same series, is now on display at the Cambridge Drawing Society's Annual Exhibition in the Guildhall, Cambridge.

Homelessness

Following on from the success of my drawing of "TonyHargreaves" which was voted " the most popular painting" at the Cambridge Drawing Society's Annual exhibition in the Spring, I am now working on an exciting and related project. The chalk drawing I did of Tony clearly touched many people who saw it.



My aim now is to produce a body of drawings and paintings of people who, like Tony, are either homeless or have experienced homelessness and to eventually stage an exhibition of this work . So far, I have visited and sketched in two centres in Cambridge-- Willow Walk and 451 ( Newmarket Road) . I have also written a short article for Flack magazine which is based in Cambridge and is aimed at the homeless, assisting and encouraging them to rebuild their lives. Kirsten Lavers, the Creative Director of the magazine, has been instrumental in introducing me to the centres.

Below are a few of the drawings I have done so far.








Sketching at 451. Michael, one of the residents was the model.


The finished drawing of "Michael" was done in charcoal,chalk and conte on a linen ground prepared with pastel primer.

A playful approach to painting a portrait

On occasions it is just fun to cast caution to the wind and just go for it. Such a thing occurred when I came to paint "Robert". Born and raised in this country, his parents came from the West Indies. My normal palette of flesh tones went straight out the window. No more muted, insipid, Caucasian flesh tones. He seemed to be all purples and blues and greens depending on how the light struck him. No careful preparatory drawing. Straight in with bold colour. Very exciting. Below shows how the portrait evolved out of the apparent initial chaos.

The Death of Tony Hargreaves

It was with great regret that I learned yesterday of the death of Tony Hargreaves. His body was recovered from the River Cam, in Cambridge on Monday evening.
He was one of Cambridge's less fortunate citizens and had lived for several years in homeless hostels in the city. Lyn Watson, manager of the Willow Walk Hostel described him as a very nice and "extremely private man."
To many in the city, however, both residents and tourists alike, he was merely another "down and out" or even worse, simply invisible. I was certainly shocked by the abusive behaviour and comments I witnessed directed at him on occasions . To such insult - hurling perpetrators he was an easy target, beneath their contempt and merely another piece of garbage littering the street.

But as the Cambridge Evening News pointed out this week, he once had a life just as valuable and worthy as the rest of us, serving in the Parachute Regiment for six years. A far cry from the bedraggled tramp most shunned or gave a wide berth to. Who knows what went wrong, when, and why, but his death is a salutary reminder both of our mortality and of the precariousness of our own lives. There but for the grace of God or Fortune go we.

Earlier this year, I did a series of black and white chalk drawings of Tony. One of these is to be used as the poster for the Cambridge Drawing Society's poster for their Autumn exhibition at the Leys School.

A child's portrait in pastel

Pastel is a particularly lovely medium for creating children's portraits. It has a delicacy and softness missing in many others.
For this particular portrait I worked on Murano paper with a combination of pastel pencils and soft pastels. My initial drawing was done with willow charcoal and then dusted down.


I work on top of this with pastel pencils, which allows a certain precision. I blend with a combination of cotton buds and torchons.


More detail is added in the hair and mouth , still using the pencils. I begin to work soft pastels into the face and use them for blocking in the dress.



I now consider the background. The aim is to keep it soft and somewhat vague, simply in order not to detract from child.



Portrait and background are worked up in more detail and tied together. Below is the finished drawing.

Suffolk Showcase 2010

I have just had a work accepted for an exhibition entitled Suffolk Showcase. This features a wide range of traditional and new media. , from painting to ceramics, video and digital photography. My own particular work is a chalk drawing in black and white.



This is a study I did of "Tony" one of Cambridge's less fortunate residents.

Below is a much larger drawing I did of him. This was voted "Most popular " work by the public in the Annual Exhibition of the Cambridge Drawing Society in April. It is also to be used as the poster to advertise the Society's Autumn Exhibition at the Leys School in Cambridge.


The exhibition is being held in the Bury St. Edmunds Art Gallery, Suffolk , and will run until the 28th August

The Rowan Foundation, Cambridge

On Thursday afternoon I visited the Rowan Foundation in Humberstone Road, Cambridge. This was as part of a link that is being forged between it and the Cambridge Drawing Society, of which I am a member.
The Rowan is a charitable organization that "offers work experience and training for people with learning difficulties". The hope is that we at the Society will be able to offer and share some of our artistic skills with students there.
On my arrival, I had little notion of what to expect , or how the afternoon was to be structured. After a brief introduction , I was shown a large supply of art materials. From these, I selected some pastels and paper and decided to do a quick portrait of Amie, one of the tutors. I am delighted to say that this caught the attention of the students who appeared fascinated by the process and quickly lined up to have their own portraits done. In the course of the afternoon, I produced 10 sketch portraits. It was an absolute delight to witness how excited and engaged my sitters were. Having caught their imagination, I will hopefully be able to build on this in the months to come.

To see the work that the Rowan Foundation does , please visit their website, or call in to 38-40 Humberstone Road, Cambridge.

Stolen fish recovered!

The mystery of the stolen painting has been solved! According to the Cambridge Evening News, the painting of a" Duba Fish" was taken by a love sick teenager to give to his girlfriend. What strange things love drives us to do! On reading the newspaper's headlines over the theft,however, the aforementioned young romantic was filled with remorse and handed himself and the fish in. The artist chose not to press charges and , as the newspaper reported, the thief was "let off the hook!"
The artist in question rose to the height of stardom. A geophysicist working in Cambridge, she was however billed as a "Hollywood animator" and someone who had worked on "Gladiators" in London, much more eye catching than a trip to the Arctic! Where would we be without the sensational British press?

All in all a bizarre tale, worthy of any "soap".

Cambridge Drawing Society Exhibition

Last week , the Spring Exhibition of the Cambridge Drawing Society took place at the Guildhall in Cambridge. On show were over 280 works. These covered a huge range of styles and techniques, from oils, watercolours and pastels to drawings prints and sculpture.
To stage such an exhibition requires a huge amount of organization and planning, but it does all eventually come together and hopefully appears effortless. The exhibition has , despite the economic recession , been a great success. Sales have been excellent and the public has been very enthusiastic as judged by the large number of visitors and general feedback.
This year 30 candidates applied for membership. Of these, 11 were accepted.



The Selection Committee at work.

As in previous years, the public was asked to vote for their favourite painting. I am delighted to say that my drawing of a "Down and out in Cambridge " won the prize.


This was a very large chalk drawing, measuring 36" x 24", done in monochrome. I chose to do this in order to convey the starkness of the subject. I have to say that the response and feedback has been amazing. Clearly many people were touched by this drawing. In a city like Cambridge which is fairly wealthy, there are still many who are less fortunate. This is a subject I wish to explore further.



Viewing selected works prior to hanging

Anyone wishing further information on the Cambridge Drawing Society or its members should visit the Society website at www.cambridgedrawingsociety.org

An artist’s journal from John Glover

Now it is time to concentrate on various portrait painting commissions. I have commisions to paint four children. A six year old in oils and three others , ranging in age from four to ten, in charcoal.

I also have a large double portrait in oils of the Sheriff of Huntingdon and her husband to complete.

Teaching continues also. I teach three classes a week at the Lothbury centre near Newmarket. Portrait painting, oils and acrylics, and of course my own paintings for pleasure. I also run day schools on portraits or life drawing and painting, at Grantchester and Barrow. These are held on a Saturday or Sunday and last from 10-4

Something else which is proving popular is one to one tuition whereby I ask any student to bring along samples of their work for review. We then work on a project together and I set ‘homework’ for the following session.

Bookings for me to demonstrate to art groups continue to come in for next year. The latest are for a landscape demo to the Comberton art group and a watercolour portrait demo to the Bury Art Society.

Next September, 3-10 th, I will be teaching during the Art Holiday for Inspiration Holidays in Menorca.

If you are interested in any of the above art holidays, art classes, painting workshops or art demonstrations please contact me on 01284 810 460 or e-mail me at john@gloverart.co.uk

Cambridge Drawing Society Exhibition

This last week, I have been wearing one of my other hats, namely that of Treasurer of the Cambridge Drawing Society.
Throughout the country, the Exhibition season is underway with artists rushing to finish and deliver paintings, and organizers trying to cope with all that involves.
Tuesday was the handing in day for the Cambridge Drawing Society. Wearing my “official” badge, and sitting behind the desk, I was able to observe the scene from a very different perspective. Amidst the sea of wrapping paper and bubble wrap, there were those who nervously handed over their works and fled as quickly as possible. There were those who saw it as a social occasion and wanted to chat with friends and officials, blissfully unawares of the queues building up behind. There were those who had followed all the instructions, filled in correctly the forms and labels, and there were those who had done none of it. There was the sound of snipping scissors and shouts for string and pens all adding to the general atmosphere and tension of “Sending in Day.”
Wednesday was the Selection Day, crunch time for all. It is the second year I have in my official capacity been witness to the procedure where all the paintings are brought before the Selection Committee for their decision. It is wholly democratic, with one man one vote, and everyone, whether they be President, Treasurer or Candidate must abide by the judgement, no matter how wrong or unjust we think it might be . Not for the faint hearted the inevitable rejection artists have to endure!

The Selection Committee at work.
Following over 3 hours of judging , the selected works are laid out ready for hanging. It is a time to see everything that has been accepted and to begin to get the feel of how the exhibition will look.

Time also for a brief lunch break!

In the afternoon, screens are erected and the process of hanging begins. This is an art in itself, balancing subject matter , colours and trying to ensure that every painting is seen to its best advantage, an almost impossible task with over 300 works on display. And there are , of course, good spots and bad spots within any exhibition area, so somebody is bound to be upset by where their work is hung!
The Private View looms. Activity becomes even more frantic as labels and catalogues are organized and food and wine “magically” appear.
The Private View took place yesterday evening and was very well attended.

Tania Verdejo, Andy Mc Kenzie and Karen Stamper.

Gavin Clark

Rachel Haynes and her pastel paintings.

Lynne Woodhams, a newly elected member.

Mrs. Gavin Clark.
Founded in 1882, the Cambridge Drawing Society is one of the oldest art societies in the country. Former members have included Cecil Beaton, Ronald Searle and Gwen Raverat. Despite its name, the Society encompasses all forms of artwork, from oils to acrylics, watercolour,gouache, pastel, linocut, etching , wood engraving and sculpture.
In this exhibition, I am showing two works.
The first is an oil portrait of Tony Langford, Managing Director of John Smedley Ltd. ( 2003-2009.)

The second, is a charcoal sketch of “Granny Mc Leod” a 94 year old Scottish lady of great character.

The Cambridge Drawing Society Annual Exhibition at the Guildhall runs from 25th April -2nd May and is open daily 10- 5.30