A child's portrait in pastel

Pastel is a lovely medium in which to depict children. It has a delicacy and softness unrivalled by other mediums.
In this example I worked on a tinted Murano mount board using a combination of pastel pencils, hard and soft pastels. My initial drawing is done in a sanguine conte chalk.




Using Stabilo pastel pencils I begin putting in the details of the eyes.




And the mouth.




Fairly happy that these are in the right place, I can now turn my attention to larger areas of the face. I begin with pastel pencils and conte crayons but quckly turn to soft pastels to get the delicate blending I require. I use fingers, torchons or even cotton buds to do this.




The finished portrait of Annabel

A child's portrait in pastel

Pastel is a particularly lovely medium for creating children's portraits. It has a delicacy and softness missing in many others.
For this particular portrait I worked on Murano paper with a combination of pastel pencils and soft pastels. My initial drawing was done with willow charcoal and then dusted down.


I work on top of this with pastel pencils, which allows a certain precision. I blend with a combination of cotton buds and torchons.


More detail is added in the hair and mouth , still using the pencils. I begin to work soft pastels into the face and use them for blocking in the dress.



I now consider the background. The aim is to keep it soft and somewhat vague, simply in order not to detract from child.



Portrait and background are worked up in more detail and tied together. Below is the finished drawing.

How to create a charcoal portrait of a child

The materials I will be using are thin sticks of willow charcoal, charcoal pencils, black conte crayon, a putty rubber, cotton buds, torchons and a smooth cloth . I am working on pre-soaked and stretched Sanders watercolour paper (140 gms.) As watercolour papers go this is fairly smooth, but it has enough tooth to hold the charcoal powder.


Using the willow charcoal, I quickly rough in the basic shape of the head and position of the various features. Nothing is as yet fixed in stone. Willow charcoal can easily be dusted off and amendments made.


As I am fairly happy with the beginnings of a likeness, I start to strengthen the details and tones of eyes and mouth. This is done with a charcoal pencil ( medium). I also work on building up the shadows. I scrub the willow charcoal over the area and then soften with fingers, torchons or cloth.


I now pay attention to the background , blocking it in with compressed charcoal and charcoal
pencils (dark) The hair is begun.



From here it is a matter of simply refining the detail. To get the precision I want, in the eyes for instance, I use a sharpened conte crayon. But you have to be certain it is in the right place, for conte is a very difficult material to erase! I build layer upon layer to get the depth of shadow I want. On top of the initial willow charcoal, I use the charcoal pencils , stroking them in very gently and then smoothly blending with torchons or cotton buds. A mahl stick is another useful implement as I have often absentmindedly lent my hand upon a drawing and erased or smudged large areas. I also on occasions mask off the areas of the drawing I am not working on.




The finished drawing.




Charcoal is a particularly lovely medium for drawing children. It allows for both delicacy and detail.