In the end it was a combination of numerous ones which seemed to work best.
The painting was done on MDF board to which I had applied a couple of coats of acrylic gesso. To speed the process, I did the underpainting in acrylics.
I start by simply drawing with a brush and burnt sienna.
I start to lay in blocks of colour.
I tentatively position the features. The cool green of the underpainting is a nice foil to the warmer flesh tones on top. These are white plus yellow ochre, cad red.
Still working in acrylics, I now pay more attention to achieving a likeness, checking proportions and angles.
The temptation is to continue fiddling with the head, but I must move other parts of the painting along.
e.g. clothes, toys, toolbox and garden background.
I am now working in oils, to get the subtlety and softness required.
I am now at the fine tuning stage. Watch this space to see the finished painting and have my techniques explained in greater detail.
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